The Great He-Goat

A horde of men and women, just like Goya painted them from deepest darkest war-torn Spain, traverse the disasters of History. Augmented and transfigured by their puppet doubles, they see their reference points slip away, their link with reality take on absurd forms.

They drone on like deaf people, chant lost songs and hit the ground with the stately rhythmics of old seguidillas.
They disguise their confusion with mirages and phantasmagorias as, from the shadows, they spew out what remains of their derision or illegitimate humour, their only strength in the general debacle.

The Company Mossoux-Bonté is drawing on pictorial inspiration, following Les Dernières Hallucinations de Lucas Cranach l’Ancien back in 1990.

Conception and choreography Nicole Mossoux
Direction Nicole Mossoux in collaboration with Patrick Bonté
Performance and artistic collaboration Juan Benítez, Dounia Depoorter, Thomas Dupal, Yvain Juillard, Frauke Mariën, Fernando Martin, Isabelle Lamouline, Shantala Pèpe, Candy Saulnier, Fatou Traore, Eva Ponties-Domeneghetty alternating with Marie-Lou Adam
Vocal design Jean Fürst
Sound design Thomas Turine
Puppetry, costumes and scenography Natacha Belova
Costume confection Patty Eggerickx with the help of Lydie Fourneau, and Myriam Simenon, Agnès Brouhon and Christelle Vanbergen from the Théâtre de Liège costumes studio
Light design Patrick Bonté
Masks making Loïc Nebreda and Audrey Robin
Protheses making Laurent Couline
Make-up and wigs Rebecca Flores-Martinez
Set fabrication Mikha Wajnrych
Flamenco training Coral Vados
Assitants Anaïs Grandamy and Sébastien Chollet
Assistant and stage management Rita Belova
Technical direction Jean-Jacques Deneumoustier
Production Marion Couturier
Tour managing Manon Dumonceaux and Thérèse Coriou
Special thanks Anna Moreno i Lasalle, Alicia Tajuelo Martin, Lou Emanueli and Cécile Maniquet

Production Mossoux-Bonté Company, in coproduction with Charleroi Danse – Centre chorégraphique de la Fédération Wallonie-Bruxelles – Belgique, La Briqueterie - CDCN du Val-de-Marne, Le Théâtre de Rungis, La Coop asbl, Shelterprod. With support from Théâtre de Liège, Théâtre de Châtillon,, ING, the Federal Belgium Government Tax-Shelter, Fédération Wallonie-Bruxelles, dance department and from Wallonie-Bruxelles International.