Exploring the weight of the Catholic religion on our society, this performance lays the foundation for the entire artistic trajectory of Mossoux-Bonté. Taken up again 25 years after its creation, it has lost none of its relevance. Nicole Mossoux has passed her role on to a new performancer in a choreography that is fascinating and resolutely personal.
Jean-Marie Wynants, Le Soir / September 2012
Masterful and inspired, this remarkable work will most likely, through the new choreography, reconcile all the hopeless philistines who reproach it for not having something to say often enough.
La Libre Belgique